While this may sound like standard post-pubescent fare, Lady Bird achieves an emotional loft miles beyond the typical teen film. Ronan’s erratic romance with an anguished young man (brilliant Lucas Hedges, who seems to be everywhere this award season) resolves into a scene of abject weeping that not only turns the gender tables, it will leave all but the most hardened souls wrecked and quivering. Laurie Metcalf, who plays Ronan’s mom, delivers a gem of a performance that launches passive-aggressiveness to the stratosphere. Something magical has happened to Metcalf in recent years. She has figured out how to play comedic abstractions so thoroughly grounded in truth that they cease to be abstractions, and instead become the astonishingly real people we deal with every day. Check out her extraordinary work in the HBO series Getting On (2015) for further confirmation.
Wednesday, December 27, 2017
Sunday, December 10, 2017
Sunday, November 19, 2017
Saturday, November 11, 2017
Saturday, November 4, 2017
One night, Herzog watched a TV documentary on Berlin’s homeless, and was struck by Bruno’s unique presence. The director cast him in The Enigma of Kaspar Hauser (1974), and the rest was history. Schleinstein would act in several more films and become something of an avant-garde sensation. He was also a self taught painter, and a show of his work was held in New York City in 2004. When Bruno died in 2010 at the age of 78, Herzog declared “in all my films, and with all the great actors with whom I have worked, he was the best. There is no one who comes close to him. I mean in his humanity, and the depth of his performance, there is no one like him."
Tuesday, October 31, 2017
How a director that grew up in Taiwan could possess such profound insights into this uniquely American web of malaise is quite a mystery, but it’s all in a day’s work for the talented Ang Lee. While possessing the command of an auteur, Lee remains a cinematic chameleon, allowing the material to shine through while transcending his own personal style. Lee’s eclectic portfolio consists of a mind-bending potpourri of subject matter; everything from Asian art films to Jane Austen romances to CGI extravaganzas. While not every outing has been successful, Lee remains a testament to the value of versatility in the art of storytelling. The Ice Storm ranks among his most perfectly realized works, and in the last 20 years it has only gotten better.
Wednesday, October 25, 2017
Louis Malle’s Elevator to the Gallows is a stylish and seductive thriller about a murder plot gone terribly wrong. But unlike most th...
Jacques Demy’s The Young Girls of Rochefort offers a distinctly French take on the Great American Musical. The film has delighte...
Chilaquiles is sort of like Mexican lasagna, but with tortillas instead of noodles. Here’s my very simple version, which uses mainl...
Celebrated at Cannes, banned in Boise and breathlessly hyped in the rest of civilization, Blue is the Warmest Color is ultimatel...