Wednesday, January 15, 2014
Rolling Family (2004) ✭✭✭✭
This rough-hewn Argentinean import is a slaphappy hybrid of Little Miss Sunshine and The Wages of Fear. Delightfully goofy from start to finish, the film chronicles an ill advised road trip of 1200 misadventure-filled kilometers from Buenos Aires to the remote hinterlands of Misiones. Family matriarch Emilia (Graciana Chironi), an 83 year-old drama queen, has received an invitation to a family wedding where she is to be maid of honor. Wishing to see her birthplace one more time, she summons her daughters and in-laws and grandchildren, who all enthusiastically agree to accompany her.
This loving, close-knit family is not only prone to hysterics; they are also appallingly cheap. Son-in-law Matias (Nicholas Lopez) just happens to have a home made camper, built on a 1958 Chevy pick-up truck, and before long a dozen energetic members of Emilia’s extended family cram into the rusting heap until every sloppy weld and hastily applied rivet threatens to rupture. Amid a toxic cloud of exhaust fumes, the sagging contraption sets out on the highway, where a strange and wacky world of exotic scenery, family bickering and dreadful humidity await it.
Shot documentary style, the film appears to have been loosely scripted with plenty of room for improvisation. Director Pablo Trapero scores big with this approach. He captures the family’s arguemenative angst and makes it feel like a genuine product from decades of shared history. It doesn’t hurt that he had the courage to cast family members and other non-professionals in key roles, and the risk paid off. The production’s lack of polish infuses every scene with a slight off-kilter dynamic that somehow manages to be both deeply familiar and strangely intriguing.
Those of us who have taken the occasional family road trip from hell will know all too well the daffy plight of Rolling Family, and revel in its unique silliness. And while we wouldn’t want to take part in such a cockeyed journey, we have to admire this family’s resilience and determination to not be undone by their self-inflicted fallacies and foibles.
Alfonso Cuarón’s directorial career has dealt with everything from updated Dickens ( Great Expectations ) to twisted coming of age ( Y Tu Ma...
Chilaquiles is sort of like Mexican lasagna, but with tortillas instead of noodles. Here’s my very simple version, which uses mainl...
Celebrated at Cannes, banned in Boise and breathlessly hyped in the rest of civilization, Blue is the Warmest Color is ultimatel...
Despite its elegant, understated atmosphere, The Page Turner (2006) is a powerful French thriller that delivers plenty of nail-biting...