Thursday, February 17, 2011

Dogtooth (2009)***** Dir: Yorgos Lanthimos



Review by guest blogger Shu Zin

DOGTOOTH is a Greek film about a fanciful and eccentric family, ruled by a control freak father and his compliant wife. They are determined to shield their children from the rugged, nasty world at large through fear and misinformation, isolating them from outside human influence. The result is 3 near-adult siblings who have no clue about society, while they are smart, disciplined and well-educated about math and science, having been home-schooled. The parents, together with the progeny, 2 sisters and a brother, live in a big house with generous grounds and a swimming pool.

I don’t pretend fully to understand what this film means to say, except to insist that the result is a delicious, wickedly funny and completely engrossing film, wildly original, violent and sexy and thought-provoking. I would disagree with those reviewers who say it is an overheated, didactic film about the down side of overprotecting children. What comes across for me is that, no matter how protected from outside influences children are, human nature will out. Rebellion, violence, politics, self-preservation, commerce and sexual expression happen, no matter what exposure to whatever society humans are denied.

It is hard to characterize the things that occur in this movie, but there are many, many deadpan and hilarious moments and a distinct chill around the edges. One of the funniest is when the two sisters decide to have a contest/game; it consists in the two of them anaesthetizing themselves with ether they use in their study of medicine. The first one to wake up, wins. The director handles this scene in the driest possible way; what we see is hilarious and to the point.

There is also an evening entertainment featuring a family dance performance that is at once very funny and oddly affecting. That the eldest, a daughter, finally escapes and ends up where she does is the droll icing on the cake, subtle, dark and screamingly funny. The film is beautifully shot on the family estate, with a few scenes at the father’s workplace. The situations that arise are always surprising, and there is no question that some developments will cause intense discomfort. My advice? Watch this gem with your mind engaged, think it through, let yourself laugh, and enjoy the complete originality of this bizarre offering. I was hyper-attentive from start to finish, and this is one I’ll revisit more than once. Highly recommended.

Review by guest blogger Shu Zin



Dogtooth (2009)*****
Dir: Yorgos Lanthimos



Review by guest blogger Shu Zin

DOGTOOTH is a Greek film about a fanciful and eccentric family, ruled by a control freak father and his compliant wife. They are determined to shield their children from the rugged, nasty world at large through fear and misinformation, isolating them from outside human influence. The result is 3 near-adult siblings who have no clue about society, while they are smart, disciplined and well-educated about math and science, having been home-schooled. The parents, together with the progeny, 2 sisters and a brother, live in a big house with generous grounds and a swimming pool.

I don’t pretend fully to understand what this film means to say, except to insist that the result is a delicious, wickedly funny and completely engrossing film, wildly original, violent and sexy and thought-provoking. I would disagree with those reviewers who say it is an overheated, didactic film about the down side of overprotecting children. What comes across for me is that, no matter how protected from outside influences children are, human nature will out. Rebellion, violence, politics, self-preservation, commerce and sexual expression happen, no matter what exposure to whatever society humans are denied.

It is hard to characterize the things that occur in this movie, but there are many, many deadpan and hilarious moments and a distinct chill around the edges. One of the funniest is when the two sisters decide to have a contest/game; it consists in the two of them anaesthetizing themselves with ether they use in their study of medicine. The first one to wake up, wins. The director handles this scene in the driest possible way; what we see is hilarious and to the point.

There is also an evening entertainment featuring a family dance performance that is at once very funny and oddly affecting. That the eldest, a daughter, finally escapes and ends up where she does is the droll icing on the cake, subtle, dark and screamingly funny. The film is beautifully shot on the family estate, with a few scenes at the father’s workplace. The situations that arise are always surprising, and there is no question that some developments will cause intense discomfort. My advice? Watch this gem with your mind engaged, think it through, let yourself laugh, and enjoy the complete originality of this bizarre offering. I was hyper-attentive from start to finish, and this is one I’ll revisit more than once. Highly recommended.

Review by guest blogger Shu Zin



40 Years of Close Encounters

I’ve changed my mind about Close Encounters of the Third Kind (1977) several times over the years, proving once again that ...